Okay, let’s look at the facts, shall we? The whole fake relationship was his idea, you came up with a no-kissing rule, you’re trying to break up with him, and you’re carb-loading with a gay man while he’s probably waiting in the hot tub. So I’d say if anyone stupidly fell for someone who doesn’t like them back,it’s not you. It’s Kavinsky.
“Early on I made the producers and director mood boards of Lara Jean’s style. I wanted them to understand that even though To All the Boys I’ve Loved Before is a contemporary realistic story and not Harry Potter or Hunger Games, her style is crucial to understanding the character. In my notes, I wrote, “It might not be what a teenaged guy would find sexy, but it’s what she feels pretty in, and for an introverted girl, it’s a way for her to express herself. Just like her bedroom.” It’s 60s meets 90s meets Asian streetwear. She is a girl that looks at Korean fashion blogs, goes to vintage shops, scours the internet for the perfect thing.” Jenny Han
It’s weird and somewhat off-putting to be congratulated on doing nothing more than accepting a note and having an ass pocket for someone to stick their hand into, but I guess that’s where my life has taken me. To All the Boys I’ve Loved Before (2018) dir. Susan Johnson
Update: From Jenny Han’s Opinion piece on New York Times
You get em
If race didn’t “matter”, why were they so quick to wanna change it??????
^^^^^
❤ I am really glad that she found a studio who would not white-wash this story…but also all kinds of sad that it was so hard to find one who wouldn’t 😦 ❤
Jenny Han: This is a story about an asian-american woman
bullshit central 