mintamenapie:

Shout out to all your internet friends who are gone.

Those messenger screen names that haven’t logged on in ages, some before detailed profiles were a thing on those services.

Those emails that are long since abandoned, some with domains that no longer exist.

Those online friends you knew years ago and who then helped shaped you in some way, who you just can’t FIND anymore.

Those people who once were, and hopefully still exist IRL, that seem to have no known internet life anymore.

And those who have actually passed on, and their online lives are now a memorial to them.

I miss you all. I hope life is/was kind to you, and maybe one day, we’ll somehow connect again.

elektranatchios:

The silver doe was nothing, nothing compared with Ron’s reappearance, he could not believe it. Shuddering with cold, he caught up the pile of clothes still lying at the water’s edge and began to pull them on. As he dragged sweater after sweater over his head, Harry stared at Ron, half expecting him to have disappeared every time he lost sight of him, and yet he had to be real: he had just dived into the pool, he had saved Harry’s life.

kyraneko:

neurophilosophaster:

funereal-disease:

dagny-hashtaggart:

Basically what I’m saying is “thing that moves like a distorted gif, but in meatspace” works much better than “thing with tons of tentacles” as a visual representation of cosmic horror, IMHO.

Nowadays, sure, but human depictions of cosmic ineffability are always informed by time and place. In the early days of deep-sea exploration, “thing with tons of tentacles” was the very pinnacle of “holy shit what is that”; it’s just that the symbol has aged in a way that the substance has not.

CEPHALOPODS IN 1918: horrors from the unknowable depths of blackness only made only the more horrific by animate motions suggesting a flicker of intelligence within their shapeless, fleshy coils

CEPHALOPODS IN 2018: squashy frends 🐙😍 

The Uncanny Valley migrates …